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Hard Candy

August 30th 2009 15:28
hard, candy, ellen, page, pedophilia, patrick, wilson, chatroom


After watching Juno, I was blown away by Ellen Page's performance and her seemingly laid back personality and was so intrigued by her, I had to seek out other projects she had done. Accordingly, I came across Hard Candy. I had bough Hard Candy quite a long time ago and only recently decided to give it a go because I was told not to attempt it unless I was in the 'right mood'. You know those movies that often tackle difficult themes or show gratuitous violence or sex scenes, where if you weren't in the right mood, you'd just dislike the film no matter how good it was? Well, thank goodness I was in the right mood because I thought this film was fantastic. Now, again, because it was shot on such a low budget and was very much an indie film with a cast of about 4 people (Ellen Page, Patrick Wilson, Sandra Oh and 'Girlfriend'), do not expect something that will change your life. However, how this film was crafted and how it was made with the limitations it had was phenomenal.


hard, candy, ellen, page, pedophilia, patrick, wilson, chatroom



Overall Plot:
Ellen Page plays 14 year old Hayley Stark, a seemingly naive girl who after talking to a man online for three weeks decide to meet with him at a coffee shop. Patrick Wilson, who plays this older man, appears to be intelligent, suave, handsome and seemingly harmless to Hayley. It is only after Hayley agrees with return to his house that things start to get interesting. Again, as I don't like to disclose too much information, I'll just say that the film is thematically about paedophilia but on a more interesting level, really plays with the good guy/bad guy situation. The audience is constantly played, often confused about whether their sympathy is going to the right person.

hard, candy, ellen, page, pedophilia, patrick, wilson, chatroom


I can't praise the two lead actors enough. If you thought Ellen Page was great in Juno, you'll absolutely adore her in Hard Candy. Well, maybe 'adore' isn't the right word to use here, but her performance in this was the right amount of innocence, likability and shock. Similarly, Patrick Wilson's character, having to go through a lot throughout the film, did such a good job playing the victim but at the same time, the perpetrator of some unforgiving things.

The camera work used in this film should also be mentioned, especially the use of closeup for the majority to really capture the intensity of the characters and their emotions. Due to the extreme closeups through the film, this really required the actors to focus, because any slip would've showed on camera. This technique I felt really suited the film because it really drew the audience into their world, and at the same time made us feel close to their situations, their feelings, their fears and most of all, their inner thoughts.

hard, candy, ellen, page, pedophilia, patrick, wilson, chatroom


The lighting and colour in the film were also very uniquely executed, where discolouration would often occur during one shot. For example, during a close up shot of Ellen Page as she changes her tone of voice, the previously warm colour scheme melts before our eyes into a dark blue scheme to match her change in tone. Similarly, the lighting, mostly derived from the blinds surrounding the house cast a very subtle and beautiful light throughout the house. The contrast between light and darkness, especially on the actors' faces were done beautifully and added for me the whole cinematic experience of the film.

hard, candy, ellen, page, pedophilia, patrick, wilson, chatroom


The one problem I had with it was that although the performances, the stylistics and the script were all phenomenal, the drives for each character was missing. I did not understand why Ellen Page's character Hayley needed or had to do all those things and why Patrick Wilson did what he did. I know they're supposed to be left up to your imagination, but without a little information, it was hard to know what was at stake or what would've happened if things had turned out differently. Also, I felt during the 'hard to watch scenes', that more could've been shown and less left to the imagination just to take it to the next level.

hard, candy, ellen, page, pedophilia, patrick, wilson, chatroom


However, I do know paedophilia is a major issue in current society and not much information about why the person did it is necessary for an audience to feel hatred towards the perpetrator. As discussed in my previous review on 'Deliver Us From Evil', a documentary about a Catholic priest whose youngest rape victim was a 8 month old baby, paedophilia comes in different forms. And with the internet in our present age, it's easier than ever to share files, download and lure young girls in chatrooms just like in Hard Candy.

Overall, I thought this film was very well done. A great script. Great actors, a nice director and just a very thoughtful and challenging storyline and themes. I give this film 4 STARS OUT OF 5.

Peace out.
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15 MINUTES OF AVATAR

August 22nd 2009 01:28
avatar, james, cameron, 3D, titanic, terminator


I was one of the lucky few who got to see a preview of Avatar today! 15 minutes of PURE HEAVEN. Four words. Out of this world. Literally! For those who are unaware of the Avatar phenomenon, it's the new film by James Cameron, the director of Titanic and Terminator. The film was conceived by Cameron 14 years ago, and was only able to translate it into film due to the development in film technology. The film can be viewed in 2D and 3D and in normal cinemas and the IMAX.

avatar, james, cameron, 3D, titanic, terminator


Today was Avatar day all around the world, and as the trailer was released, a few lucky people were also given the opportunity to see 15 minutes of selected footage from James Cameron to spread the word about how awesome this film actually looked. The confidence of James Cameron is admirable. After seeing the footage, he has a right to be.

avatar, james, cameron, 3D, titanic, terminator


The footage consisted of short scenes from the first half of the film, half of Sam Worthington's character turning into a Na'vi (one of the creatures from Pandora, a newly discovered planet in the future) and the second half of action sequences and reveals of the beautiful world of Pandora. The CGI firstly, as I'm sure most people expected was almost flawless. During the scenes where CGI characters stood alongside humans were done so perfectly, I could not tell one was computer generated. However, District 9 already broke that barrier so I guess I wasn't that shocked.

avatar, james, cameron, 3D, titanic, terminator


The action sequences were brilliantly choreographed, with very nice detailing on the creatures themselves and the 'wildlife' on planet Pandora. The planet Pandora was breathtakingly beautiful. The thing I most admired about the film however was its ability to really really transport you into this other world, in a completely believable fashion. I did not question or hesitate one bit as I watched and believed all 15 minutes of this film, feeling myself being surrounded with such beauty.

avatar, james, cameron, 3D, titanic, terminator


Now, the only disappointment was the 3D side of it. Ok, I'm not saying the 3D aspect wasn't done well. The only criticism though was that with some of the shots, I would've liked the camera to have further integrated the viewer into the action instead of just shooting it like an ordinary 2D action sequences. I'm sure I haven't seen enough to comment on this, but I hope the rest of the film really revolutionises 3D capture and angles.

avatar, james, cameron, 3D, titanic, terminator


I mean, in all honesty, the film is an epic. It'll make its money back guaranteed and I do believe it has broken conventions and cinematic technology and people will see it just for that. It looked like an unbelievable piece of cinema and I know I'll be at the very first screening hopefully at 12am on the 17th of December at IMAX Darling Harbour.

Peace.
39
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The Surreal World of Barton Fink

August 20th 2009 18:40
barton, fink, coen, brothers, john, turturro, surrealism


I am a huge fan of the Coen Brothers. I believe they have successfully established an empire of films that are so recognisable yet different, but all retain the Coen stamp. Their films have never been quite commercially successful and the ones who have, have been the less critically acclaimed such as "The Ladykillers" and "Intolerable Cruelty". However, despite those 'hiccups', The Coen Brothers have time and time again reinforced the notion that they are the indisputable masters of blackly humorous and torturous films with a twist.

barton, fink, coen, brothers, john, turturro, surrealism


Now, having watched most of their films, what I ended up watching and what I originally thought Barton Fink was about couldn't have ended more differently. Barton Fink is a ultimately a surrealist piece of cinema, combining great direction from the ONLY great working duo and receiving unbelievable performances from all four actors, most of all, John Turturro. The tone of the film is ultimately humorous, but at the time retains a sense of urgency and panic in a very slow paced scenario. The Coen Brothers again incorporate several characteristics they just love to stick into their movies, including the bumbling, fast talking film executive, and a pair of idiotic policemen.

barton, fink, coen, brothers, john, turturro, surrealism


Overall Plot:

The entire film is based about Barton Fink played brilliantly (and I can't stress the brilliantly enough) by John Turturro, who is a writer who just finished a successful play in New York. He is convinced by his agent to begin work as a screenwriter for the pictures, with his first gig, having to write a wrestling film. Fink moves into a very isolating hotel to begin work only to encounter writers block. There he meets Charlie Meadows (also played brilliantly by John Goodman, his next door neighbour, who represents the working man. From then on, Barton's life becomes more and more strange and confusing.

barton, fink, coen, brothers, john, turturro, surrealism


The audience sees Barton struggling to find meaning in the strangeness around him, but at the same time, drowning himself in it. We, as the outsider, can't help but continue on this strange journey with him, as his own perception of the world around him slowly melts like his hotel wallpaper. The surreal sense of the film aims to capture the workings of Barton Fink's writings, and acts as almost a comment on how the Coen Brothers see themselves. Having written Barton Fink themselves, they seem almost to point and laugh at their own profession. The character of Barton could even act as a representation of how the Coen Brothers are like (being famous for their irony and monotonous, dry wit) and at the same time how all writers really are on the inside.

I'm trying really hard here to avoid any mentions of anything that happens in the plot so that people who do decide to watch it can watch it with no presumptions of knowledge of what to expect in the movie.

barton, fink, coen, brothers, john, turturro, surrealism


Now, on top of the interesting story, this film had just the most wonderful cast of actors. I mean, John Turturro in this film was flawless. His character, such a complex, multifaceted, subtle character was played to perfection by Turturro. His reactions, his facial movements, his voice, his gestures and even his stares conveyed such great meaning even if they were minimal. Barton Fink is placed by the end of the film in so many bizarre situations, but during all that time, he remains who he is and therefore convinces the audience of the seeming reality before them. The surrealism, through his acting is transformed into realism.

Overall, this film, shot again by Roger Deakins (The Coens' favourite Director of Photograph) was a beautiful film, full of style and grace. The sound used in the film added so much humour and wit and almost acted as another character. The acting was superb and I do believe Turturro should have been nominated for an Oscar that year.

Because the ending of the film was so open ended to interpretation, I'd love to know what other people thought of the film and what meanings they gave to it.

I give this film 4.5 STARS OUT OF 5
82
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All Praise District 9

August 11th 2009 13:53
district, 9, peter, jackson, aliens, documentary


The most original, stunning, challenging and hilarious film I have seen in a LONG LONG time. And one of the best first films by a first time director. Trust me, Neill Blomkamp will do great things. The film combined modern technology, documentary camera work, unknown actors and science fiction to create the most unsuspecting emotional film capturing not only the ethical issues of society but also the unethical. It explores the governments, it explores race, discrimination, hybridization in a very strange way... (you'll know what I'm talking about when you see it) and brutality in a very audience friendly fashion. I was sure each and every person in the cinema were caught up in the action and thrill of the ride but at the same time were able to identify the issues being presented to them. I mean, yes it had its flaws but man oh man were they forgotten when the credits started to roll


[ Click here to read more ]
54
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Public Enemies

August 5th 2009 20:37
public, enemies, johnny, depp, christian, bale, michael, mann


Public Enemies, the new film by action/drama director Michael Mann is based on the true story of John Dillinger, played by Johnny Depp who is a notorious bank robber, famous during the 1930s/1940s for slipping through the fingers of authority until finally being captured by an FBI team led by Melvin Purvis. Ok, now that thats out of the way, I must expose this fact about the film. Public Enemies was shot entirely on HD Digital. NOT FILM. Now, I am a huge fan of all forms of formats, appreciating the differences and the little similarities between film and digital. But one thing I've always frowned upon when it comes to digital is that because the frames are quicker and so less blurring is seen during action sequences, it can give an amateurish look to a film. With film stock, since it is normally 24 frames per second, the camera seems to capture things more smoothly and more 'dreamlike' in a sense. Also, the lighting is a lot different, which affects the look of the film. The action is A LOT clearer, and by the way the film was shot very hand held, that added to the appearance of 'documentary style' filmmaking


[ Click here to read more ]
77
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Public Enemies

August 5th 2009 14:39
public, enemies, johnny, depp, christian, bale, michael, mann


Public Enemies, the new film by action/drama director Michael Mann is based on the true story of John Dillinger, played by Johnny Depp who is a notorious bank robber, famous during the 1930s/1940s for slipping through the fingers of authority until finally being captured by an FBI team led by Melvin Purvis. Ok, now that thats out of the way, I must expose this fact about the film. Public Enemies was shot entirely on HD Digital. NOT FILM. Now, I am a huge fan of all forms of formats, appreciating the differences and the little similarities between film and digital. But one thing I've always frowned upon when it comes to digital is that because the frames are quicker and so less blurring is seen during action sequences, it can give an amateurish look to a film. With film stock, since it is normally 24 frames per second, the camera seems to capture things more smoothly and more 'dreamlike' in a sense. Also, the lighting is a lot different, which affects the look of the film. The action is A LOT clearer, and by the way the film was shot very hand held, that added to the appearance of 'documentary style' filmmaking


[ Click here to read more ]
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